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Polanski’s Baby: The Nightmarish Masterpiece That Birthed a New Generation of Nightmares

Polanski's first major critical success also happens to be his most unsettling.

William Morris

‘Death Proof’ Might Be Tarantino’s Worst Movie, But It’s Still Worth the Ride

Tarantino might be one of the greatest directors of our time. But even every great director has a "worst" movie…

William Morris

Love, Gender, and Old Time Religion in ‘David and Bathsheba’

It's Easter Sunday, and you know what that means. Yep, we are looking into religious films both old and new.…

Elliot Morris

Childhood of Jesus Explored in “Young Messiah”

What was the childhood of Jesus like? What were those around him thinking? This film attempts to answer those questions.

William Morris

‘Dragged Across Concrete’ Injects New Flavor Into Buddy Cop Genre

Mel Gibson shines in the latest film from gritty filmmaker S. Craig Zahler that adds some murky tones to the…

William Morris

Our Dispatch From Noir City’s Opening Night

The 21st Noir City Film Festival in Hollywood kicked off with a bang, and we were there with the coverage.…

Elliot Morris

More Roger Moore: The Ranking of His Bond Films

Roger Moore had seven outings as 007. If you don't know where you stand on his interpretation of the character,…

William Morris

Forgettable ‘Tau’ Offers Nothing Remotely Interesting

Read our review of Netflix's 'Tau.' Or don't. The film isn't good and neither is the review.

Elliot Morris

‘Polar’ Is Netflix’s Attempt At ‘John Wick’

Netflix introduces a cold-blooded, hired gun. Does it hold up in light of similar movies?

William Morris

IMFF’s Sundance Film Festival Diary 2019

I don't know if it's more of a comment on our current personal tastes and energy or if it's the…

Elliot Morris